DVD CHAPTER THREE:
SAM:
...came out of the ford factory. Problem was, it was an oldsmobile.
LAUGHS
BRUCE:
Yeah because I...
GREG:
That's a miniature, too, right?
SAM:
Yeah, again Bob Dyke and Tom shot that first piece.
BRUCE:
That then goes into the location.
I actually kinda like this sequence.
This is a good ridiculous sequence.
GREG:
This was the first day we had that the dummy of you that
we pulled through the windshield on the wire.
BRUCE:
Right.
SCOTT:
You mean that wasn't Bruce?
BRUCE:
HAHA!
[ACTING LIKE HE HAS A BROKEN JAW]
No, that was me Scott.
SAM:
Bruce, you were doing the driving in shots like that though, weren't you?
BRUCE:
I was doing some of it, yeah.
GREG:
John Casino was he...
BRUCE:
John Casino was my stuntman for a total of probably 2 shots in the
whole movie cause Sam refused to let him do anything.
GREG:
Suddenly, it's dark.
SAM:
Because the more that there was a chance of Bruce hurting himself,
the more appealing it is to let him do his own work.
GREG:
Not only that but with Casino, it was too much of a gamble.
LAUGHS
GREG:
Hello?
SCOTT:
Hey, it's night!
BRUCE:
See, that branch was piloted by Sam Raimi. I want you to know that.
SCOTT:
I know, you can just tell. It's got an extra evil force to it. [whip}
BRUCE:
Now, that rock salt was also thrown by Sam....
SAM:
this is the ramo-cam. this is the most frightening shot ever to film.
That thing built by Vern Hyde
GREG:
Vern Hyde, yeah.
SAM:
And uh Dale.
BRUCE:
Which was basically a steel pole about 30 feet long with a camera...
GREG:
Yeah.
BRUCE:
…attached to the end.
GREG:
It had a spike on it.
SAM:
And it weighed hundreds of pounds.
BRUCE:
Yeah, it was horrible.
SAM:
And then you better… I remember just ramming that thing.
BRUCE:
It took 6 or 7 of us cause then ya hadda feed it through
once you got it the back windshield
GREG:
Lookit. I love this. You have to point out, you can see over
the edge of the set in in all these shots.
SCOTT:
Don't ruin the illusion.
GREG:
Oh look, there's the...
SAM:
There's the roof.
SCOTT:
Don't.
BRUCE:
I just love how big the cabin is inside.
GREG:
It's huge.
SCOTT:
But why wasn't it on an aluminum pole or something?
I mean the thing was like rigged to break.
GREG:
Because it was st... Nah, it was steel to puncture the windshield.
SCOTT:
Oh, I thought that was on a rig to explode and timing wise, but I guess not.
BRUCE:
It was, but that would have been too easy.
LAUGHS
GREG:
Where did Bruce go?
BRUCE:
I love being so fast that I fake this thing out.
SCOTT:
LAUGHS
GREG:
And then it just gets pissed and pulls back.
SCOTT:
You’re getting pretty good. It's the second night in the cabin there.
BRUCE:
The cool thing about this is uh the hidden cuts throughout here to
link the outside location to the inside studio.
SCOTT:
No, it was all one shot.
BRUCE:
I'll never tell where they are.
SCOTT:
It was all one shot. Yeah.
BRUCE:
Yeah, yeah.
GREG:
Just keeps going all the way to Rockingham.
BRUCE:
Yes. Well, everything's ok now.
SCOTT:
LAUGHS
GREG:
That was cool.
SCOTT:
I think I'll redecorate.
BRUCE:
Sam, we sorta got hassled by having one person alone
for so much of this movie, didn't we?
SCOTT:
From who?
BRUCE:
I mean, from... from the studio.
SAM:
From Dino?
BRUCE:
[IMITATING DINO DELAURENTIIS]
“Sam, you can't have one man for half an hour alone.”
SCOTT:
Yeah, but didn't he read the script? I mean it was there.
SAM:
Actually, I wanted to make the whole movie with you alone.
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